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         Emerald Hill?

  A look at Emily of Emerald Hill

  

 
EMILY OF EMERALD HILL  marries, has children, one of whom, Richard, goes to London to study to become a lawyer. But his love of horses (he played polo when young) betrays him; he abandons his studies and joins a  set of stables  in Salisbury. Emily is shocked on hearing this and rushes off to England where she delivers a sharp rebuke to her son reminding him of his duty to his family. She returns to Emerald Hill only to receive a telegram which tells her that Richard has hanged himself. But Emily soon recovers from the shock of her son’s suicide and returns to the daily rounds of her life. The show ends with her sitting in a chair recalling the past.

That briefly is the melodrama that we watched at a theatre at the Wawasan Open University, acted by a very competent Pearlly Chua who was on the stage for nearly two hours in this unconvincing tale of a Singapore Nyonya’s life.

But we must say that the telling is ruined by  overacting. But the fault is probably not  100 per cent Miss Chua’s  because some one else directed to create a slightly latak woman. 

The nagging question however is, how authentic is the telling. Emily  purports to be the story of a family on Emerald Hill, the head of whose household, Mr Gan,  is a member of the coveted Legislative Council (which the author refers to incorrectly  as the Legislative Assembly).

A few observations:

What would have been on Emily’s mind and made her rush off to London was the fear, common among Emerald Hill people, that Mr Gan would surely delete Richard’s name from his will and the dire consequences for her future. 

We are not convined that Richard played polo if we remember that the polo club, like all white clubs, was closed to Asiatics  for many years.
 
Rich people like Mr Gan would not have bothered at all about school exams. University is ok if his son wants it. All that matters is that son will get suitably married and take over his business.
 
If Mr Gan entertained  it would have been a formal sit down affair  (buffet dinners were unheard of and even if they had been in fashion it would be insulting to Mr Gan’s guests). “Boys” would serve dinner. It was unheard of that daughters in law served

Emily bemoans the fact that she was an unwanted orphan and was forced by circumstances to be married to a man twice her age. But in those days it was the dream of well to do mothers that they find an older son in law to be a “mature guide “ to their 14 year old daughters.

The rich never went to market. That was the ah sam’s job

When they were not playing mahjong the rich might amuse themselves with making po pniar or the occasional ice cream. But they never cooked, that was the cook’s job.

Emerald Hill residents spoke English sprinkled with a multitude of Malay words. We noticed the absence of Alamah! Adoi! Amboi! Celaka! Belekair! Geram! In her conversation,  And we noticed that Emily speaks not with the -la and -ah suffixes so common in Baba talk and, amazingly,  she says “love letters” instead of “kuay kapek”!

To our astonishment, Emily says to her grandchild, "Come to popo!" That sounds more like Cantonese than Emerald Hill where we wurelly would have heard instead "Come to Ah mah!!".

Emily would have talked to her gardener and driver in Malay, not English otherwise they would have thought her out of mind.#


Emily of Emerald Hill

A Peranakan drama in two acts

Pearlly Chua as Emily
 
A Play by Stella Kon

Directed by Chin San Sooi


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Edelweiss
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Armenian Street


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in the heart of George Town.


Telephone:  04 261 8935



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INDEX

Point to the article that you want to read, and CLICK

Index page     Asean artists    Bangali & Keling     Book review      Cantonese baby     Emily of Emerald Hill       Fajar's sedition       

 Fly Jentayu!     Food guide
    In search of Gold (8)       Letter from Pulau Tikus    Mud-skippers     Visiting  Tanjong

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The Penang File Issue  65